Rolfe and Stephen have lived in Portland’s Kenton neighborhood for 15 years. They’ve christened their home “Post Apocalyptic Bohemia,” referring to their penchant for modern living surrounded by age and patina — they love crumbling objects and the more rust, the better. Their home has been almost completely rebuilt using found, salvaged and repurposed materials. Rolfe started his professional career as an interior designer in the theater. The world of sets, lighting and costumes was the perfect training ground for developing a theatrical style of decorating. Rolfe says that nothing was quite as satisfying as the curtain rising on opening night and hearing a collective sigh or gasp from the audience at the sight of the set. He strives to create that same feeling at home. This home is shared with three four-legged companions: the terriers, Lulu and Junior, and an ancient feline named Henry. In addition to his design work, Rolfe runs , a shop that celebrates all things boy-centric. Thanks, Rolfe and Stephen! (All images by .) — Amy Azzarito
Image above: Serious stacks of books are everywhere. A nineteenth-century carved Indonesian wall piece with velvet-upholstered inserts is used as a headboard; it’s the most color in the entire house.
Image above: A pair of eighteenth-century Italian fruitwood chairs serve as nightstands. I’m a sucker for a great chair.
See more of Rolfe and Stephen’s Portland home after the jump . . .
Image above: Random-width planks of whitewashed hemlock line the wall, with corresponding lines painted on the adjacent wall. I purchased this 18th-century sofa 40 years ago in Belgium. The frame is carved with flowers and seashells. It stands on a hand-knotted rug from Afghanistan. Above the sofa we showcase our collection of shadow-boxed photos from the 1930s of men being affectionate.
Image above: Stephen’s workspace
Image above: My workspace with one of my collage/assemblages
Image above: The living room. Next to the sofa is our chimney pipe side table with rusted trivet top. Vintage garbage can as tree planter. Enormous reclaimed shutters, leaning in panels against windows. Behind the sofa are stacks of reclaimed doors and windows.
Image above: Living room detail — old wire basket with wooden tool chest atop as an end table
Image above: The fireplace is partially silverleafed but intentionally left unfinished. Our mantel is where sacred things go to live. Mirror on mirror on mirror (a favorite look). Reflection in mirror of our art pottery collection across the room.
Image above: The door to the bathroom
Image above: A reclaimed vintage sink in the bathroom, which is also the resting place for our collection of antique porcelain toothpaste containers, ephemera, etc. (Justin Bieber singing toothbrush!)
Image above: We use an industrial tool chest as storage/pantry. Above the counter is some of the art pottery collection that fills the house.
Image above: Garden room on the way to the boys’ fort at the end of the boardwalk. (The boys’ fort is the best part of the house, built completely from old doors, windows, shutters, cast offs, etc. We live exclusively in this space from July 4th to September 1st, or as we call it, summer in Portland.)
Image above: Bell wheel from an old British church tower, Indonesian daybed, treasured red door
Image above: One of a pair of upholstered daybeds on either side of a floor-to-ceiling window onto the garden. We read, eat and watch television on these. Now it holds a napping Lulu. Behind the daybed is a Belgian carved wall piece — the shutters would slide to either side, and you would crawl into your sleeping berth built into the wall, circa 1800.