From a picturesque in the charming city of Norwich, England, textile designer and screen printer makes signature home goods symbolic of the region’s pastoral countryside, which she shares all over the world through her works. In her , Lottie draws the illustrations that grace her wares, which include an assortment of “tea towels, shoppers, deck chairs and lampshades.” Being the sort of person who enjoys making a modern mess right beside all that historical intrigue, her “best work happens in a tornado of scrap paper,” Lottie admits. If she could “have arms like Vishnu,” perhaps she could do even more — but Lottie’s advice to mere mortals working within the confines of the human body is to fulfill a need for nature and refresh. “You can’t find inspiration sitting at your desk.” —
What’s in your toolbox?
- My apron, it’s always collecting new colors and marks.
- A big pile of silk screens and a squeegee (my favorite word).
- Six pairs of scissors — I’m always misplacing them.
- Brown tape is an absolutely essential tool for a screen printer.
- My industrial sewing machine, which I bought from a lovely old man in Cromer. Apparently it used to live in Buckingham Palace!
- Jam jars are perfect for storing mixed paint, and old credit cards work well as mini squeegees.
- Plenty of easy-peel oranges.
Fill in the blank, “When I am in my studio, I feel ____________.”
Content. It’s my favorite place to be.
What’s on the top shelves of your inspiration library right now?
There’s an incredible exhibition here in Norwich called “Magnificent Obsessions.” I really love reading about personal collections — people fall in love with the smallest and strangest things. I’m always searching Norwich Library for old printmaking books.
How do you keep yourself organized?
My notebook is full of endless lists. My partner is always trying to get me to switch everything online, but I just can’t live without my Redstone paper diary. I really enjoy making a mess — my best work happens in a tornado of scrap paper.
If you could have one superhero (or magical) power, what would it be and why?
To have arms like Vishnu! I like working on five things at once.
What is the best advice you have ever received, and what is the one piece of advice you would offer to a young artist, maker, or designer?
Go outside. You can’t find inspiration sitting at your desk.
How do you combat creative blocks?
Jump in the car — the Norfolk countryside can cure most creative blocks.
Where do you like to look or shop for inspiration?
I’ve been running my own gallery for a couple of years now, so I’m always surrounded by creative people. It’s a constant source of inspiration.
If you could peek inside the studio or toolbox of any artist, maker, designer, or craftsperson, whose would it be and why?
I’m a huge Marimekko fan, so I’d love to have seen Maija Isola’s studio. She wasn’t scared of using color and injecting fun into her designs.
What’s on your inspirational playlist at the moment?
I love Tune-Yards — the perfect soundtrack for making a mess.